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Q: Why is there such a long delay before characters return to the main story? ie: Lan.
A: Not everybody can be center stage front at the same time.
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Q: Why is there such a long delay before characters return to the main story? ie: Lan.
A: Not everybody can be center stage front at the same time.
Q: Are you saying all the characters are based on various cultures around the world?
A: Bits and pieces sometimes. Not the characters, but the nations are sometimes based on bits and pieces of actual cultures and quite often it has nothing to do with any culture that I am aware of consciously.
Q: Do you see yourself as any of the characters?
A: I see myself as whoever I happen to be writing at the moment. Other people have notions they think I'm this character or that. I'm everybody.
Q: Do you completely control what the characters do, or do they occasionally surprise you with their actions ?
A: The characters never surprise me. In terms of the book I am God. A writer who says that the characters take control is doing one of two things either he or she is telling people what they want to hear because a lot of people seem to want to hear that the characters have taken over or else, that writer is being exceedingly lazy and not paying attention. The characters NEVER really take over.
Q: Will there be one artist on the book or a multitude?
A: If you mean The Guide, it will be one artist all the way through, a man named Todd Hamilton.
Q: Do you ever get tired of people turning every typo in your books into another plot line?
A: No, I just wish I could stop there from being any typos.
Q: How did you develop the idea for the Wheel of Time saga, and where did you get the name?
A: The name comes out of Hindu mythology, where there is a belief that time is a wheel. Many older cultures believe that time is cyclic, that it repeats. In fact, I believe the best thing the ancient Greeks gave us was (the idea) that time was linear and change was possible.
Q: What would happen to a gholam suddenly deposited, one way or another, into a stedding?
A: Read And Find Out. That is a common answer for me, by the way!
Q: Why do you think everyone has a hard time figuring out who killed Asmodean? Graendal killed him.
A: I don't know why people have a hard time figuring that out. To me it seems intuitively obvious even to the most casual observer. The reason I won't tell people though is that I am enjoying watching them squirm entirely too much. It's probably bad for me.
Q: What a kind of numbers militarily do the Seanchan have on this side of the Aryth Ocean?
A: I don't want to answer this as it could be a spoiler for those who have not read far enough.
Q: We know Taim isn't who he says, and so does Rand. But wasn't Logain supposed to reveal him as a liar? What happened to that?
A: Read And Find Out. Don't you love it, guys?
Q: Were you influenced by the Bible book of Revelation? Your works seem to have many scriptural allusions.
A: There are a number of influences from the Bible, but from other sources as well. My work is not overtly religious in any way.
Q: It has been reported that you have confirmed that Sammael died at the end of Crown of Swords. Could you confirm that you have said this and elaborate on whether Rand was correct?
A: Mashadar killed Sammael. Sammael is toast!
Q: Why does it take you about a year to two years to issue the next book?
A: Because it takes that long to write it. The earlier books also took a long time, but what was happening there was that the usual space between handing in the manuscript and the book being published, was shrinking in my case. Normally that is nine months to a year. For my last four books, however it has been two months from me handing in the manuscript to me being on tour.
Q: Where are the Trollocs? I miss them.
A: Read And Find Out! They're coming.
Q: Is it possible that in another age, another turning of the wheel, that Saidar could be tainted instead of Saidin? This relates to the Female Dragon Theory.
A: That is not something I intend to explore.
Q: What got you into writing fantasy?
A: Fantasy is an area where it is possible to talk about right and wrong, good and evil, with a straight face. In mainstream fiction and even in a good deal of mystery, these things are presented as simply two sides of the same coin. Never really more than a matter of where you happen to be standing. I think quite often it's hard to tell the difference. I think that quite often you can only find a choice between bad and worse. But I think it's worth making the effort and I like to expose my characters to that sort of situation.
Q: Will the Choedan Kal be used again during the series, and if so, will other access keys be found? Let me guess. Read and find out?
A: This is my answer: You got that one right, sport!
Q: I see that many of the story lines are derived (from) mythology around the world. Which culture do you draw from more?
A: I'm not certain that I draw from any one culture more than others. Many myths and legends of many different cultures are really the same story when you get to the heart of it. They are often cultural cautionary tales about how we should behave and how we should live.
Q: When you started writing the series, were Osan'gar and Aran'gar in the original plotline, or were they added in as you went along?
A: They were in the original plot line.